billandgeorge

08.08.08

noreply@blogger.com (Bill George) — Fri, 15 Aug 2008 11:27:00 +0000

Lets imagine that it’s the 8^th of the 8^th month in 2008 and we got this web news out in time.

Instead we were probably stitching up a fabulous meeting with the next round of artSlab-ists who we are proud to announce are: Performance making duo Kaz Therese and Lizzie Thompson; and visual artists Skye Gibson and Claire Conroy. Together these creative ventures will collude and cross fertilise occasionally, trading and sharing ideas as they work on their respective projects in the space. WELCOME!

CHIPPENDALE IS HAVING A PEEP SHOW

On the 19th October the creative skeletons of chippendale will open up to the public for a tour of spaces and industries in a crafty murketing slash networking slash community exercise. Part of Art and About (City of Sydney), Peep show has been in development for some time, taking in ideas from collaborating organs and artists about how to show off and start some serious conversations about getting networked and robust in a local economy kind of way. Bill and George are taking part even though we do straddle the fringe of chippendale, but we still feel a kind of ethnic heritage to the area from the wedding circle days and when Gang festival first roamed the laneways of chippo way back when....so stay posted and tuned.

UPDATE ON FRASERS

Errr....there is none...errr

UPDATE ON UPDATES

Bill and George is still trying to put up its curtains. If anyone knows anyone with some spare tab tracks lying around, pray tell....

Our dream of getting a version of a sprung floor has just taken a gigantic leap forward with news of some dedicated sponsorship. We will announce this when the details are locked in. Suffice to say we are elated. And so are many dancing knees across Sydney. But particularly Hosi's knees, which we can hear squealing with joy right now.

POSTS POSTS AND POSTS: exciting things moving

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JURA BOOKS – POSTER DESIGNS NEEDED!

Calling all imaginative and talented artists and activists! Could you or someone you know create a political poster that can stand alongside the great political posters of the past, and is also meaningful and relevant to the future?

Jura Books is looking for artists of all ages, styles and levels of experience to submit entries for a political poster design competition. The general theme of the poster should be to explore some aspect of the past 30 years of radical struggle in Sydney, and/or imagine what you would like the world to look like in 30 years time. The poster must also celebrate Jura Books in some way - past, present and/or future, and include our name and website (or street address) somewhere on the poster.

Jura Books has been operating as a centre for social change and innovation for 30 years, and we currently combine a bookshop, library, food co-op and organising space. Over the years we have supported a vast range of political collectives and struggles - feminist, youth, enviro, art, publishing, workers control, and many more. We have put on hundreds of events, from film nights and punk gigs to political actions and worker organising conferences. Jura is also home to one of Australia's best political poster archives. (check out images and more about our politics on our website).

The poster design competition is about commemorating this history, and also building towards an even better future. The entries will be exhibited at Jura and we will produce 1000 copies of the winning design. The winner will also receive a book prize pack valued at $100, as well as the satisfaction of helping a worthwhile cause, and eternal fame/notoriety. The winning design will also be used to help promote and raise money to improve Jura and the political poster archive.

Posters Due before 30th September

Design Size: A2 (59.4cm x 42cm)

For the more info: http://www.jura.org.au/node/728

The Jura Collective

440 Parramatta Rd, Petersham

www.jura.org.au

9550 9931

Opening hours:

Thursday 11am-7pm / Friday 11am-7pm /

Saturday 12pm-5pm / Sunday 12pm-5pm

JURA Books currently stocks all 3 Breakdown Press Poster Series!

Abandoned city buildings/city buildings - we abandon

noreply@blogger.com (Bill George) — Thu, 24 Jul 2008 05:55:00 +0000

"Artist collectives do not make objects - they make changes. They make situations, opportunities, realizations, understandings. They work to keep the experience of art collective, rather than ceding all territory to solipsistic reverie and the reification of investment capital." Alan Moore, Collectivity in Modern Art.

"Is everyone taking crazy Pills??" Mugatu, Zoolander.

And so we gathered in the hearth to lend our eyes and ears to the work of Ben Riding as he wraps up his ArtSlab residency and launches into his next big thing: The Linden Project in Melbourne.

A very big thanks to all the artists that participated in ArtSlab #1 and #2 and to Ben for his insightful presentation on the work he is doing with LAUNCHart on sites/happenings in abandoned buildings. (watch this space for announcement of the artSlab#3 residency artists)

Perhaps it was a happy coincidence, or merely the interference from unreal estate signs cluttering our brains, that this talk created an opening of its own into more practical issues to do with site. And the question of whether to install artworks in abandoned buildings - or perhaps take our art and abandon the city buildings altogether (and run for the hills)

These questions emerge in the midst of an interesting proposal from property developer Frasers Greencliff for artists to occupy a warehouse on the fringe of their CUB development site (Kensington St Chippendale to be precise).....for FREE (eyes roll to back of head, temporary loss of balance).

The Carlton United Brewery site is a veritable suburb at 6 ha., and in the age of carbon footprints represents an opportunity to do things differently. Or at least try out a new marketing approach. And so Frasers have been chatting with City of Sydney about bringing artists onto their slab of land as both a gesture towards the City of Sydney's 2030 cultural plan, and in response to more global conversations taking place about the creative economy and the rise and rise of knowledge-based industries. Oh and Melbourne's laneways.

Conversations about Melbourne and its laneways reached a feverish pitch around the time the NSW liquor licensing came up for much needed revision. Hole-in-the-wall conversations became urgent as we suddenly realised that ridiculously oversized flat screen TV's mounted above our heads were distracting us with way too much Rugby and Channel V, while we tried to have a conversation with another human being. That and the pokies, the exodus of live music, prohibitively expensive licensing fees and draconian laws slapped onto low impact spaces. Melburnians must think we are idiots for putting up with this.

Meanwhile, artist run spaces have continued to spring up and down in the city, defying these silly laws, and in the process we have created some pretty cool stuff. But have we taken time to really reflect on the possibilities, and imagine the reality of where the global economy is taking us? We seem to be losing our fight with the invisible barons of real estate. Our wing and a prayer approach of lurching from one demolished warehouse to another in waiting is quite frankly running out of steam. And shine. Our little red caboose, running on the smell of an oily rag, may sadly be destined for a train museum. Carriageworks? Mmm, nup. I don't think we can afford that. Errr... is there anywhere else we 'creative types' can play? (I hear that lounge rooms in cosy overpriced terrace houses will do for rehearsals and devising new works...)

So as we enter the age of 'creative knowledge and innovation', perhaps we should ask what sorts of spaces does this industry really require. As Neil Armfield asked one rainy evening at Town Hall:

“Who is looking after the breeding grounds, the grasses at the end of the creek where you find the little fish feeding, the place from which a culture can grow with safety and strength?”

Perhaps it is artists themselves who should look after their breeding grounds. Perhaps we need to do things that ensure our ecosystems are robust and sprightly. And maybe these are opportunities for us to talk to one another about how we would imagine a city we could survive in. Instead of one where we scramble for the last crumbs off the table, the last warehouse in the city, or stare perplexed at the last empty monument to 'Art'.

Its vitally important that artists are looking after the breeding ground because it means we have a sense of confidence and autonomy over the circumstances in which we create our work, try out new ideas, spread our wings and take flight on some fanciful caper. And to exercise the kind of decision making which is so crucial to the creation of new work and new ideas, new directions.

ArtSlab is an idea + space for brewing creative collaborative adventures; driven by hope and desire. Hopefully through these encounters, the desire for survival can latch onto a thread of strength and optimism. And our crazy ideas can breathe life into this city, instead of medicating us with impossible market realities and speculative real estate scandals.

Is everyone taking crazy pills?

artslab show off this Tuesday, the 22nd July

noreply@blogger.com (Rhoda) — Sun, 20 Jul 2008 06:35:00 +0000

Bill+George would like to invite you to our artslab show off starring resident Artist Laboratorist Ben Riding TUESDAY 22ND JULY 630PM.

Ben will show off his site specific project "The Linden Project". We will then segue smoothly into a free range facilitated discussion about disused and underused sites in the city, including some references to the Fraser's Broadway project which you may have heard about in some rumored form or another.

To be followed by a refreshing glass of wine and general chit chat.

Would be great to see everyone who is interested in space/site and this city come along and contribute to discussion!!!

xxx
the crew at bng

Bill and George are so hot right now.

noreply@blogger.com (Rhoda) — Mon, 30 Jun 2008 04:33:00 +0000

Actually we are very cold in our artic warehouse, but new theatre curtains in our rehearsal space should warm things up a bit. They have arrived (finally) and will be rigged in our beautiful space by the end of next week. A round of applause.

What else….?

artSlab DEADLINE EXTENDED until the 15th July. Check out the projects page for details. If you are an artist working in collaborative practice in any medium/discipline and need space with an exciting project then you probably need to apply. Talk to us!

THE LOBBY
We have decided to open up our lobby space to exhibitions and viewings of work. Our launch date is in November (we are sooo organised) but we will keep you posted as the date looms closer. But this is exciting as we are now riding the crest of the artistic wave, now that the establishment/building phase is but a distant memory. The focus on the viewing space (to be called The Lobby) is for artists with not a lot of money (that’s most of us) or time (that’s all of us) to mount a modest sized exhibition in a DIY fashion, ie. Do it Yourself. We can offer a prepped space of 4 walls approx 35m2 and host your opening. All for 200 bucks for two weeks. Sweet huh! The launch is pitched for the 7th November and will be a group show of all the Bill+Georgeous people in the space. Stay very tuned.

BROADWAY FRASERS
We have inadvertently become part of rumblings on Kensington street near the old CUB site. Plans to hold a preliminary gathering/information evening at Bill and George towards the middle of July to discuss possibilities of how his should go ahead. If you have queries/interest please contact bek at bek@billandgeorge.org

EL LOCAL
Tango lovers will be going loco when they find out that we are launching the first of a regular milonga at bill and george on the 15th July. To be known as ‘El Local’ the gig promises sweet dancing for tango dancers of all types 9pm til the wee hours.

We're online!

noreply@blogger.com (Rhoda) — Sun, 11 May 2008 10:40:00 +0000

Wow wowowoowowoo hoo!!!
Bill and George have finally arrived in cyberspace, taking their brand free new space to the information superhighway. Here you can find out what the hell we are on about and send us messages of love and adulation.

But first: this weeks musings

Our friends from Aerialize together with the very gorgeous Liz Martin and the god dammit child prodigies Bridzilla are performing in an aerial club night at the studio Opera house on May 16 & 17 called “Walking on Air”. Check them out here

And book tickets as soon as you finish reading this sentence because one show has already sold out, and they are only doing two. STOP PRESS: Oh my goodness it is all sold out! BUT don’t worry, they are providing an extra show for the desperate ones that missed out. Double woop.

ALSO our very special and most favourites friends and cohorts from Queens street studios are having their annual space aid art auction on May 17. Rsvp essential!! Visit here. We are comrades in arms so any support for them is support for us too!

By George!! Said the City of Sydney to Bill and George and they invited us to submit a proposal for the laneways project in the city called, By George! Only four projects will be chosen in the end and so we have been bunkered down in our creative think tanks (undisclosed location) to dream up an alternative universe that can be executed on the streets without going over budget or overtly stepping on political toes. Tough call. But we are energised by lots of ideas and hope to draw on a number of our associate artists who have been part of our work in various ways over the years. How excitement.

In other news, Ruby and Bubbles are getting bigger.

And yes, Bek (who recently sleep walked out her first storey bedroom window on the morning of her 34th birthday) has only got another 39 sleeps to go before she can walk without the aid of her Frida Kahlo vest and matching crutches. At which point she will run like Forest Gump around the world several times and grow a beard. Presently she remains wide awake and (still) dreaming.